8/28/2023 0 Comments Vacation rita dove![]() ![]() It is this situation and this aspect of motherhood that are reflected in the poem. As a result, she practically does not have any time for herself for banal rest and respite. Every day, every hour is focused around the child the mother’s whole life revolves around them. Because she herself is a black artist, a classical cellist, a former German resident, and the mother of a mixed-race child, she felt compelled to pursue the project.Although women, after pregnancy, take care of their children at home, this time cannot be called a vacation. It was from Beethoven's perspective, and she realized she could only tell the story from the viewpoint of many different characters. But after a fight over a woman, Beethoven broke with his new friend and published the composition with a dedication to Rudolphe Kreutzer.Īt first Dove had no intention of turning this research into poetry, but that changed when a poem called 'Vienna Spring' forced its way out. 9 was originally dedicated to Bridgetower and first performed with him. She learned, for example, that Beethoven's Violin Sonata No. That tickled a curiosity that wouldn't quit, and she followed every one of the few threads she could find. Dove was so intrigued that she went upstairs and Googled "black violinist Beethoven" and Bridgetower's name popped up. In one scene, the composer is walking through a group of musicians, including a black violinist. But the poet is saying, 'I'm going to use this language to make the reader feel that inner life in such a way that the words seem to disappear.'"ĭove first discovered Bridgetower when she was watching the Beethoven bio-pic, "Immortal Beloved," on TV with her husband, the German novelist Fred Viebahn. The inner life is without words it's before language, so that's the challenge of poetry-that's why people think we're crazy. But to evoke the inner life in contrast to the public life and the performing life, you need lyric poetry. There are gaps between them that we have to jump over. "'Sonata Mulattica' is similar to 'Thomas and Beulah' in that it tells a story through lyric poems," Dove says, "like pearls on a necklace. ![]() It's a technique that she has employed previously, most obviously in her Pulitzer Prize-winning book, 1986's "Thomas and Beulah," a double portrait of her grandparents. From this chain of private musings, Dove creates a common sphere. 'Concert at Hanover Square,' for example, is followed by poems from the perspectives of fellow prodigy Franz Clement, street musician Black Billy Waters, aging composer Franz Josef Haydn, the queen's wardrobe mistress Charlotte Papendiek, and Bridgetower's father Friedrich. ![]() It's up to us the readers to make the connections between these frozen moments. Instead of the continuous storytelling we know from Dante's "Divine Comedy," Milton's "Paradise Lost," or Byron's "Don Juan," we get a series of short, discrete lyric poems, each one providing a snapshot of one character's internal musing. To capture that give-and-take between the public self and the private self, Dove had to adopt an unusual strategy: She had to create a narrative in verse without using the techniques of narrative poetry. Once someone steps out onto the stage, they add another layer of self, and we forget the pressure that adds to the inner life. Poetry gives us that inner life that's so often hidden from view. When you're walking through life, even when you have meltdowns, you can sense there's a part of you that you want to keep intact in the bubble around you. "People ask how you are, and you say, 'I'm fine,' when there's actually all these complicated things going on inside you. "All of us live with this tension every day, even if in a milder way," Dove says by phone from her faculty office at the University of Virginia. ![]()
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